After all, the five-digit solution - or any other solution you contemplate - will also have its very own
day of doom associated with it.
The first two were appended to The
Day of Doom: or a Poetical Description of the Great and Last Judgment (1662), a long poem in ballad measure using horrific imagery to describe the Last Judgment.
In 1662 his volume The
Day of Doom, accurately labeled in its subtitle A Poetical Description of the Great and Last Judgement, was published.
In poetry one funds early examples such as Michael Wigglesworth's <IR> THE
DAY OF DOOM </IR> (1662), but often its ecstatic Calvinism, as in Jonathan Edwards, reached poetic heights in prose more strikingly than in verse.
In 1662 he published his most popular poem, The
Day of Doom, based on a dream he had had nine days earlier.
Morris (English and American literature, Cambridge U.) examines how even the most rigid Congregationalists could dip into poetry now and again, as evidenced by the brisk sales of Wigglesworth's The
Day of Doom, which contained such a definite conflict between content and meter that it became safe.
It was called the
Day of Doom and churches were packed in terror.
When the Normans conquered England, St Mary the Virgin was included in the Domesday Book - and now another
day of doom has dawned.
This poem, entitled The
Day of Doom: or a Poetical Description of the Great and Last Judgment, versified Puritan doctrine and became an immediate best seller in Massachusetts.
Wigglesworth's chief claim to fame, <IR> THE
DAY OF DOOM </IR> (1662), sets forth the Puritan views of predestination, original sin, and God's grace and punishment.
Yesterday, my newspaper had the death of three local firemen and the impeachment vote on the front - the rival New York Post had 'Bill's
Day of Doom' all over Page One.
Similarly, <IR> MICHAEL WIGGLESWORTH's </IR> The
Day of Doom, a best seller in the 17th century, continued to be popular for 150 years.