the sweet hereafter


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the sweet hereafter

The eternal life awaiting us after death; heaven. I miss my wife terribly, but I know she'll be waiting for me in the sweet hereafter.
See also: sweet
References in periodicals archive ?
In "Chapter Thirteen: The Sweet Hereafter," Archie's (KJ Apa) dad, Fred (Luke Perry), was shot in the chest.
'Riverdale' Star Lili Reinhart Opens Up About Her Depression
Since then, his 20 books, from Affliction (1989) to The Sweet Hereafter (1991), have followed ordinary lives as they struggle with violence, poverty, isolation, and tragedy.
Russell Banks
Hollywood's preference is to frequently ignore it, apart from sporadic releases like Ordinary People (1980), Truly Madly Deeply (1990), The Sweet Hereafter (1997) and Shirley MacLaine's overlooked Belfast drama Closing the Ring (2007).
KEY TO A KID DD'S GRIEF; Cinema
In The Sweet Hereafter (1991), one encounters layers of complexity and an undeniable concern with besieged masculinity and its imagined consequences for the future of "our town.
Where have all the good men gone?: afflicted fathers and endangered daughters in Russell Banks's The Sweet Hereafter
ON Monday, the Sage's Hall 2 has a visit from Seattle band Jesse Sykes & the Sweet Hereafter.
The sweet voice of a cult singer; Extra Roots
In terms of screenplay, Banks is an acknowledged professional, having produced scripts for Martin Scorsese and Francis Ford Coppola, but he is best known for his novels, among them Cloudsplitter, The Sweet Hereafter, Affliction, and The Darling.
Captured: writing about film and photography
Don't forget The Adjuster, either, or The Sweet Hereafter.
The state we're in: B. Ruby Rich on queer cinema today
Earth headlines this show, but the Seattle band has very good taste in its support, with Jesse Sykes & the Sweet Hereafter playing the middle slot as part of its tour with the band.
They'll be singing the blues to make fans happy
They examine themes in his films, such as The Sweet Hereafter and Exotica, his theater and opera stagings, and his art installations and their political, philosophical, and aesthetic context, in addition to their intellectual and emotional aspects.
Image and territory; essays on Atom Egoyan
Estupendos actores: Tim Robbins, uno de los favoritos del recien fallecido Robert Altman, y Sara Polly, especializada en papeles de mujeres sufridas (la paralitica de The Sweet Hereafter de Atom Egoyan), explotan al maximo la metafora del mal que los une.
"La vida secreta de las palabras"
This uncertainty, the idea of not being sure, is the most productive formal and thematic strand in Egoyan's work, from the reinvention of identity in Next of Kin to the self-conscious character artifices in Speaking Parts and The Adjuster, to the technologically mediated relationships in Family Viewing and Calendar, to the jigsaw puzzles of time and memory in Exotica and The Sweet Hereafter, to the interrogations of personal and political history in Ararat.
How do we know what we know? Atom Egoyan's Where the Truth Lies
Russell Banks, a prolific writer who is white and whose works include best-selling novels The Sweet Hereafter and Continental Drift, said of Golden: "She reminds me of some of the movie producers, a person who puts together diverse talent.
A platform for nurturing new literary talent: the Hurston/Wright foundation and its cofounder Marita Golden discover and groom emerging writers of African descent
BACKING band The Sweet Hereafter didn't have enough money to make it over from the States, so Jesse Sykes was accompanied by just one man at this intimate gig - her partner Phil Wandscher on electric guitar.
MAILMUSIC; Sykes set on stardom
In one of my favorite recent portraits, David on the street in his hood, Sag Harbor, 2001, Goldin's longtime muse and friend, David Armstrong, a little grizzled and Yankee-direct, peers right at us from a wintry small-town streetscape straight out of Russell Banks--or more precisely Atom Egoyan's 1997 film based on Banks's novel The Sweet Hereafter.
Goldin's years
Katherine Weese investigates the ways in which Atom Egoyan exploits and adapts conventions of film narrative, including the relation between voice-over narration and visual image, to allow the female protagonist of The Sweet Hereafter to speak through rather than be narrated by the film.
With this issue Narrative officially enters its tenth year of publication. (Editor's column)
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