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lie at (one's) door

To be one's responsibility. Typically said of something negative. I'm the coach, and I called a bad play, so any blame for this loss lies at my door.
See also: door, lie

lie at the bottom of (something)

To be the fundamental cause of something. Stubbornness lies at the bottom of every unresolved disagreement.
See also: bottom, lie, of

lie behind (someone or something)

1. To be positioned behind someone or something. The gym lies behind the school.
2. To be in the past. Don't be concerned about what lies behind you, only what lies ahead. Everything that lies behind us is what makes us who we are—the good and the bad.
See also: behind, lie

lie down on the job

To not work as hard as one should; to shirk one's responsibilities. If you lie down on the job again, you can be sure you'll be fired—there are plenty of guys who'd take your place in a minute.
See also: down, job, lie, on

lie like a trooper

To lie often and barefacedly. My brother lies like a trooper to get out of trouble with our parents. I just can't understand how they still believe him at this stage. You know you have true power when you can lie like a trooper, know that people don't believe you, and know that they'll go along with what you say regardless.
See also: lie, like, trooper

lie (one's) way into (something or someplace)

To obtain something or gain access to a particular place or thing through deceit. We tried to lie our way into the party, but we were immediately recognized as freshmen and told to leave. He didn't actually have any of the proper certifications, he just lied his way into the job.
See also: lie, way

lie down on the job

 and lay down on the job
Fig. to do one's job poorly or not at all. (Lay is a common error for lie.) Tom was fired because he was laying down on the job. You mean he was lying down on the job, don't you?
See also: down, job, lie, on

lie like a trooper

tell lies constantly and flagrantly. Compare with swear like a trooper (at swear).
See also: lie, like, trooper

lie down on the ˈjob

(informal) not do a job properly: I’m not going to employ anybody here who lies down on the job. I only want people who work hard.
See also: down, job, lie, on
References in periodicals archive ?
The subjects of Lieder are as varied as the literature of German Romanticism and cover every conceivable aspect of unrequited and unreachable love as well as marital contentment and friendship, loneliness, death, nature, war and religious faith.
Vocally German Lieder belong to the Western Classical singing tradition and thus require a 'classical' singing technique.
One of the greatest of all Lieder is Schubert's second setting of a poem by Goethe, An den Mond (to the moon), which was composed in 1777 and published in 1789.
Der Soldat is not often sung or recorded; even a Dietrich Fischer-Dieskau recording of 61 Schumann Lieder does not include it.
Fehn and Thym, through an analysis of the use of the ghazal by lieder composers, illustrate the influence poetic form exerts upon musical form.
Hallmark offers insight into the Ruckert lieder of Robert and Clara Schumann, making the case that the songs can be considered a cycle, and investigating the performance challenges inherent in that scenario.
In recent decades, scholars have produced a number of fascinating examinations of the nature of lieder cycles, with Barbara P.
The lieder often are dark and brooding, echoing his declining health.
Moreover, writes Finson, practical factors influenced Schumann's decision to begin writing lieder in 1840.
Contains: Lieder published 1821-November 1823, opp.
Ironically, First Union, which touts its merger and acquisition expertise to its commercial clients, can't seem to handle its own mergers and acquisitions without violating federal law," Lieder added.
Dunsby's discusses the ideas of such diverse authors as Guido Adler and Roland Barthes but he does not explore the approaches to lieder of such influential scholars as Edward T.
Here Wagner recedes into the background, only to reappear centrally in the final chapter--a comparison of lieder by Mahler, Strauss, and Wolf--which concludes that Wagner's influence marks the lied in "the post-Wagnerian era.
The two editions of lieder discussed in this review, one a collection of settings of texts by Johann Wolfgang von Goethe, the other a facsimile of songs by Robert and Clara Schumann, are wonderful resources for the continued exploration of this rich, multifaceted genre.
Frauen komponieren is an anthology of twenty-five lieder by ten German and Austrian women whose compositions span the late eighteenth through the early twentieth centuries.