After the last scattering, while CMB carried a frozen image of the baby universe, the primordial blobs
themselves continued to evolve.
, which have similar position of their centroids, correspond to situation that smaller BLOB
lies into bigger BLOB
as PDP lies into SPDP in QR code.
One reason why circular retroreflective points are adopted is that compared with other geometric features a circular retroreflective point is always imaged as a bright blob
under illumination; it is more robust against image degrading processes (e.g., defocusing or changing of the imaging distance and angle) .
is a jelly-like alien that eats everything in its path as it keeps on growing
It is these young galaxies that make the blob
so bright, scientists discovered.
The team studied one of the first and brightest of these blobs
to be found.
"Using the bombs to get rid of extra blobs
is great, but you have to be careful you don't take out any chains before you detonate them," Ms Gunter adds.
Technically, the object is called a Lyman-alpha blob
, and scientists aren't exactly sure what it is.
CTON's Super A-maze-ing Year of Crazy Comics, Puzzles, Mazes, Blobs
, & More!
FURTHER to Jane Apperley's letter (Mail, December 15), I would suggest that for real density and variety of chewing-gum blobs
, perhaps she would care to walk (or skip-jump) along the so-called "Golden Mile" of Broad Street, now more of a grey, sticky, smelly mile.
i.e., firstly it distinguishes between real world objects, secondly extracts image features like motion blobs
and color patches and thirdly abstracts objects like meta-objects that shall denote real world objects.
A reliable software package will tell you how touching blobs
The software distinguishes between grease blobs
and structural defects by keeping track of anomalies and the precise location at which they are detected.
The Birmingham building is a form of blob
, and blobs
are becoming increasingly common these days.
Because CATIA permits the modeling of nonrepetitive surfaces and supports, of different exterior panels and interior armatures, it has allowed Gehry to privilege shape and skin, the overall configuration, above all else: Hence the non-Euclidean curves, swirls, and blobs
that became his signature gestures in the '90s, most famously in the Guggenheim Bilbao (1991-97), which looks like a cross between an ocean liner run aground and a spaceship landed in the Basque Country, and most egregiously in the Experience Music Project (1995-2000) in Seattle, whose six exterior blobs
clad in different-color metals have little apparent relation to the many interior display stations dedicated to popular music.