schmendrick


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schmendrick

and shmendrick (ˈʃmɛndrɪk)
n. a stupid and ineffectual nobody. (Yiddish.) Some schmendrick from downstairs asked if you could turn down your stereo.
References in periodicals archive ?
The final step in the process of reduction is Unicorn's complete alteration: Schmendrick commits one of the most horrible deeds in the entire book--he traps an immortal soul in a mortal body.
Unicorn is saved only thanks to the human body she is given by Schmendrick.
On her journey to the castle she teams up with Schmendrick and Molly Grue.
During the late '60s and early '70s, one of the riddles to the universe was how in the heck someone like the world-class schmendrick Henry Kissinger could be seen with a bevy of beautiful women on his arm, including Jill St.
Rhys Meyers will play Schmendrick the Magician in the movie along with a host of Hollywood superstars, including Christopher Lee and Angela Lansbury.
Since I daylight as a pedagogue, getting into heavy textual discussions with any schmendrick who can get into a seminar, my ethical high road has more than a slight odor of the world's oldest profession.
The unicorn is almost defeated by the Bull in their first encounter, but Schmendrick saves her by transforming her into a human woman, whom they call the Lady Amalthea.
According to Schmendrick, "the land was green and soft once, before Haggard came, but he touched it and it withered" (4:42).
To the once-immortal being, it is a cage, like the cage she is trapped in when Mommy Fortuna appeared as Elli, and she demands of Schmendrick, "Why did you not let the Bull kill me?
Cully, indeed, believes for a time that Schmendrick is actually "Mr.
Haggard dismisses the magician Mabruk and replaces him with Schmendrick for similar reasons: "A master magician has not made me happy.
When Schmendrick is able to master his powers, "[t]hen the spell will be broken and I will begin to die, as I began at my birth.
Schmendrick, for all his awkwardness, recognizes what so many characters in The Last Unicorn cannot--that life is made of little, transient moments that must end, but that ought to be enjoyed with an immediacy that only mortality can provide.
That is the immediacy of mortality that Schmendrick speaks of when he tells Amalthea that "what can die is beautiful.
Long the consort of foolish Captain Cully, she shows the effects of premature age when Schmendrick and the unicorn first encounter her: she is "a thin thorn of a woman," with "a pale, bony face, with fierce, tawny eyes, and hair the color of dead grass" (5:56).