(7)
Schmeer P., http://tech.groups.yahoo.com/group/cvnet-out burst/message/2072 (2007)
The menu is to the point, although everything is described with cod-coolness - for instance, your cheeseburger is "the whole
schmeer" with low-fat cheddar, American or Swiss cheese.
Schmeer AW Sge 15.80 C Oct 07.810 Shears EI Psc 12.8 vis Oct 08.893
Schmeer TY Vul 15.94 V Nov 15.808 J.
Camera (Deluxe color, Panavision widescreen), Robert Chappell, Robert Richardson; editors, Karen
Schmeer, Andy Grieve, Brad Fuller, Daniel Mooney, Steven Hathaway, Charles Silver; music, Danny Elfman; production designer, Steve Hardie; set decoratel John M.
Schmeer V725 Aql 14.5 C Aug 01.609 Maehara V2204 Oph 13.6 C Aug 10.032 D.
Camera (color, HD), George Tiffin, Claudio Rocha, Marcus Birsel; video camera, Pollack, Guilfoyle; editor, Karen
Schmeer; music, Sorman & Nystrom; sound, Jon Oh; associate producers, Brainerd Taylor, Suzanne Weil.
Schmeer, Arlene C., Mercenene Cancer Research Institute, 790 Prospect Street, New Haven, CT 06511
Camera (color), Peter Donahue, Robert Chappell; editor's, Karen
Schmeer, Doug Abel, Chyld King; music, Philip Glass; additional music, John Kusiak; production designers, Ted Bafaloukos, Steve Hardy; sound, Steve Bores; supervising sound editor, Coll Anderson; sound designer, Tom Paul; visual effects supervisor, Robin Hobart; 3-D animator, Zachary Morong; animation and visual effects, Evan Olson; associate producers, Ann Petrone, Adam Kosberg.
burnetii using the same ELISA as used by Schmeer et al.
(e) The ELISA used in Germany and in all studies listed in this table (except for [59], for which no information was provided) is based on the test developed by Schmeer et al.
Camera (color, 16mm/HD-to-HD vid), Moss; editor, Karen Schmeer. Reviewed at Sundance Film Festival (Documentary Competition), Jan.
Tech aspects are smoothly handled; Errol Morris vet Karen Schmeer's editing is savvy.
Camera (color, digital video), Laurel Greenberg, Small; editor, Karen
Schmeer; music, Kaoru Ishibashi; associate producer, Craig Bouchard.
Camera (Duart color), Robert Richardson; editors, Karen
Schmeer, Shondra Merrill; music, Caleb Sampson; production design, Ted Basaloukos; set decoration, Scott Doonan; sound (Dolby), Steve Benes, Fred Burnham; assistant directors, Eric Korsh, Thomas Burke.